The physical culture of muscle-building has attracted followers for many years; well before the advent of competitive bodybuilding as we know it today.
Followers of the iron game will know that bodybuilding in its popular form began in earnest in the 1890s with the arrival of Mr Eugene Sandow, of whom the Mr. Olympia statuette is modelled on.
However, weight-training, as a general athletic activity, was initially practiced as a means to gain strength and measure power in ancient Egyptian and Greek societies. These societies would primarily use stones of various sizes and weights (a practice that would occur, in one form or another throughout history) in their quest for bodily transformation. The celebration of the human body through muscular development was, in fact, one of the Greek ideals.
Physical culture (distinguishable from bodybuilding per se due to the lack of specific physical display as an end goal) can be traced back to 11th century India where stone dumbbell weights, known as Nals, were lifted by those wanting to develop their bodies to enhance health and stamina to help overcome the challenges of daily life. Gyms were commonplace in India during this period and by the 16th century weight-training is thought to have been India's national pastime.
There was to be a long period between the 16th century physical movement in India and the beginning of bodybuilding (defined as training and dieting to develop ones body specifically for exhibitive purposes) as we know it today.
The Early Period:
1890-1929
Toward the end of the 19th century, weight-training took on a new meaning for many, as the ancient tradition of stone-lifting, practiced initially by the Greeks and Egyptians, made way for a completely new system of training, with a new end-goal. Weight-lifting for entertainment purposes emerged in Europe signalling the beginning of a physical culture never before seen.
Eugene Sandow
The intention was not to develop ones physique into a glorious spectacle per se, but to thrill crowds with amazing feats of strength - the professional strongman was the outcome of this intensified interest in weight-training. The modern sport, as it was becoming, of weight-lifting was somewhat of a natural evolution from the comparatively primitive practice of stone-lifting in dark, dank dungeons.
Not surprisingly, weight-lifting exponentially grew in popularity so much so that today the practices during the early period of 1890 to 1929 would seem, at best, archaic. The practices of the late 19th century strongmen included issuing challenges to fellow strongmen to see who could out-lift the other as they travelled from town to town.
Other practices included pulling carts and lifting animals, much to the amusement of onlookers. In fact, the public loved to watch these men compete, possibly for the novelty value if nothing else. How their physiques looked did not factor into these men's displays of physical prowess. Indeed, a protruding stomach and thick, fatty limbs were commonplace among these competitors.
Symmetry and aesthetics were a foreign concept at this point. However, as the 20th century approached, a man who was to bridge the gap between the overweight and unsightly strongman and the bodybuilder as we know him today was to emerge.
Officially know as the first famous bodybuilder and the father of modern bodybuilding, Eugene Sandow (born Friedric Muller), born 1867, immediately became a phenomenon with his unprecedented combination of muscle quality and strength. He became a turn-of-the-century physical cultural icon who is referred to as one of bodybuilding's greatest even in today's climate of genetic freaks.
Before the emergence of Sandow, proponents of physical culture were trying to find new ways to promote healthy lifestyles in line with the new phenomenon of weight-training for the sake of physical demonstration. Tired of the overweight strongman image with its lack of emphasis on correct eating and high body-fat levels, they were looking for a representative who could promote the chiseled physique, and the subsequent ways of achieving this look. They found their man in Sandow.
Sandow himself started out in Europe as a professional strongman, outdoing all other strongmen to make a name for himself. He travelled to America in the1890s to be billed as the worlds strongest man, travelling the country impressing people with his extraordinary feats of strength.
The most amazing thing about Sandow, however, was his beautifully symmetrical and densely muscular physique, which eventually positioned him as the first real bodybuilder and promoter of bodybuilding. Indeed, Sandow published the first bodybuilding magazine (Physical Culture), developed some of the first bodybuilding machinery, an appeared in numerous books and postcards, while continuing to tour America posing to sell-out audiences.
While Sandow continued to promote bodybuilding, weight-lifting contests were officially held for the first time with the World Championships and England in 1891. Weight-lifting was also featured in the first modern Olympic Games in 1896, Athens Greece. Due to Sandow's influence, sales for barbells and dumbbells increased by a wide margin and a whole bodybuilding industry was created, with Sandow earning thousands of dollars a week.
Sadly, Sandow suffered a fatal brain hemorrhage when, according to legend, he tried to pull his car from a ditch in the interests of physical display. Sandow's legacy lives on in the increasing popularization of bodybuilding as a sport into the 21st century. In fact, Sandow judged the first bodybuilding contest ever held and his image is immortalized on the current Mr. Olympia statuette.
The First Bodybuilding Contest Ever Held
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The first bodybuilding show, staged in 1891 and billed "The Great Show", was developed and promoted by none other than the great Eugene Sandow.
After popularizing bodybuilding though frequent strength exhibitions and posing displays across Europe and America, Sandow, 34, decided, after three-years of planning, that the time was right. He would provide all Sandow students in the U.K with the opportunity to display their physiques in a competition setting replete with a full judging panel and paying audience.
The contest was advertised three-years in advance in the first edition of Sandow's Magazine to promote the further spread of physical display and pride in ones physique. "To afford encouragement to those who are anxious to perfect their physiques" was the statement issued and many enthusiasts took this sentiment to heart as exemplified by the large turn-out of contestants and sell-out crowd of 2000.
The total prize money came to 1'000 guineas, which equated to more than $5000 at the time. First place would receive the equivalent of $2,500 and a gold Sandow statuette, while second and third would take home silver and bronze statuettes respectively.
In order to compete in this contest of contests, all competitors first had to have placed in a smaller regional show (a bold move on Sandows part at the time). However, this system proved viable and on Saturday, September 14, 1901, England's Royal Albert Hall was packed to overflowing with spectators and competitors. Sandow believed in giving his audience their money's worth and provided various athletic displays as a form of pre-competition entertainment.
These displays included wrestling, gymnastics, and fencing and, at their completion, the real athletes, the bodybuilders, made their entrance. The bodybuilders, of which there were 60, marched to the beat of Sandow's own composition, The March of the Athletes, wearing the required costume: black tights, black jockey belt and leopard skins.
As for the physiques, the paying public were highly impressed. One journalist remarked "to stand in these men's ranks is a distinction".
The judging criteria was stringent and Sandow made it clear that points would be awarded for attributes other than sheer size. Indeed, Sandow was looking for symmetrically even development - the qualities that many say are overlooked in bodybuilding today.
The Qualities Sandow Looked For Were:
The man judged to have had the right combination of all of these qualities was William L Murray of Nottingham Great Britain, who took hame the gold Sandow and the title: Winner Of The World's First Big Bodybuilding Contest.
- General development.
- Equality or balance of development.
- The condition and tone of the tissues.
- General health.
- Condition of the skin.
Following this contest, bodybuilding culture became increasingly widespread. Many entrepreneurs seized upon the notion of physical development and began distributing bodybuilding equipment and literature. Bernarr Macfadden, who became referred to as the father of physical culture, sold his popular chest expander and went on to become one of the greatest physical identities on the early 20th century.
He published one of the first bodybuilding magazines, Physical Culture, and eventually became the most successful magazine publisher ever. In 1921, Macfadden helped to push another major protagonist for the physical movement in the form of Charles Atlas into the spotlight.
Well developed for that time, but smooth and underdeveloped by today's standards, Atlas (Real name Angelo Siciliano) became immensely popular and, through his standing as an expert on physical development, acquired the rights to a mail-order course called dynamic tension, an exercise system developed by Macfadden 20 years earlier.
The advertisements featuring the young man getting sand kicked into his face, only to retreat into a world of physical self-development, and eventually turn the tables on his bullying perpetrator, served as inspiration for many who took up bodybuilding upon seeing them. This advertisement is thought to be part of the most successful advertising campaign in history.
By the end of the 1920s, barbells, dumbbells and various other exercise devices were sold the world over as the general public grew to acknowledge the importance of becoming fit and strong. Famous bodybuilders were becoming household names and bodybuilding contests were being held frequently. Bodybuilding finally broke free of the association with weight-lifting for the purposes of getting strong, and became, for many, a worthwhile pursuit in its own right.
The Culture Solidifies:
1930-1970s
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As the bodybuilding movement progressed into the 1930s, adherents were becoming more interested in developing balanced physiques and losing body-fat as training techniques and new developments in exercise equipment advanced. The 30s were the beginning of what is affectionately know as the golden age of bodybuilding, where gyms and the associated practices of training in groups and posing in front of mirrors become commonplace among followers.
On the California Coast, weight-lifting on the beach front became very popular among both amateur and professional bodybuilders. The most famous of these hang-outs was situated in Santa Monica and called Muscle Beach.



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